人物传记英文？以下是一些适合女生的英文原版非虚构大女主人物传记的推荐：1. Independent Dames 简介：这本书聚焦于历史上独立、勇敢的女性，她们在各自的领域取得了杰出的成就，展现了女性的力量与智慧。2. Who Was Anne Frank 简介：讲述了安妮·弗兰克的生平，她是一位在二战期间勇敢记录自己生活与感受的年轻女孩，那么，人物传记英文？一起来了解一下吧。
Charles Dickens, known by his pen name "Boz," was a renowned English novelist of the Victorian era and an ardent social campaigner. Widely considered one of the greatest writers in the English language, he was lauded for his compelling storytelling and memorable characters, achieving immense popularity both in his time and today. Critics such as George Gissing and G. K. Chesterton later hailed his mastery of prose, his endless supply of memorable characters, and his powerful social consciousness, though writers like George Henry Lewes, Henry James, and Virginia Woolf criticized his work for sentimentality, implausible events, and grotesque characters.
Dickens' novels and short stories have never gone out of print, thanks to their enduring popularity. He wrote serialized novels, the standard format of the time, and the public eagerly awaited each new installment of his stories.
Theodore Roosevelt, the 26th President of the United States, was married to Edith Kermit Carow Roosevelt. He assumed the presidency at age 43 following the assassination of President McKinley, bringing new dynamism and authority to the role. Roosevelt led Congress and the American public toward progressive reforms and a robust foreign policy. He believed that the president, as a "steward of the people," should take necessary action for the public good unless explicitly barred by law or the Constitution. Roosevelt's presidency saw him as a "trust buster," forcing the dissolution of a large railroad combine in the Northwest and pursuing other antitrust suits under the Sherman Antitrust Act.
Roosevelt actively steered the United States into world politics, embracing a proactive role. He was known for quoting the maxim, "Speak softly and carry a big stick...". His strategic vision included the construction of the Panama Canal, which he ensured, and he extended the Monroe Doctrine to prevent the establishment of foreign bases in the Caribbean and assert the United States' right to intervene in Latin America.
Roosevelt won the Nobel Peace Prize for mediating the Russo-Japanese War, reached an agreement with Japan on immigration, and sent the Great White Fleet on a worldwide goodwill tour. His most effective achievements included efforts in conservation, expanding national forests in the West, setting aside public lands, and promoting major irrigation projects.
Roosevelt's energetic advocacy extended to all aspects of life, inspiring audiences with his high-pitched voice, jutting jaw, and pounding fist. His mantra, "The life of strenuous endeavor," applied to all around him, as he was seen romping with his five younger children and leading ambassadors on hikes through Rock Creek Park in Washington, D.C.
After leaving the presidency in 1909, Roosevelt embarked on an African safari and then returned to politics, running for president in 1912 on a Progressive ticket. His recovery from a shooting during a campaign stop in Milwaukee was indicative of his enduring vitality, summed up in his statement, "No man has had a happier life than I have led; a happier life in every way."
人物传记记录了一个人的一生，英文中文都一样，不过只是相对客观的吧。下面是我给大家整理的英文人物传记范文，供大家参阅!
人物传记英语 作文 ：Benjamin FranklinFranklin's life is full of charming stories which all young men should know -- how he sold books in Boston, and became the guest of kings in Europe; how he was made Major General Franklin, only to quit because, as he said, he was no soldier, and yet helped to organize the army that stood before the trained troops of England and Germany.
This poor Boston boy, without a day's schooling1, became master of six languages and never stopped studying; this neglected apprentice2 conquered the lightning, made his name famous, received degrees and diplomas from many colleges, and became forever remembered as "Doctor Franklin", philosopher, scientist and political leader.
Self-made, self-taught, the candle maker's son gave light to all the world; the street bookseller set all men singing of liberty; the apprentice became the most sought after man across the world, and brought his native land to praise and honor him.
He built America, for what our nation is today is largely due to the management, the forethought, the wisdom, and the ability of Benjamin Franklin. He belongs to the world, but especially he belongs to America. The people around the world honored him while he was living; he is still regarded as the loftiest man by the common people today after his death. And he will live in people's hearts forever.
人物传记英语作文：He is the thiefWashington was the first president of the U.S. He was very clever even when he was still a 12-year-old-boy.
Once a thief stole some money from Uncle Post, Washington's neighbor. The door of the house was not broken, and things in the room were in good order. Washington concluded that the thief must have been committed by one of the villagers.
That evening at the villagers' meeting the said, "We don't know who stole the money but God does. God sends his wasp1 to tell good from evil. Every night the wasp flies among us but few people notice it…" Then, all of a sudden Washington waved his hand and cried out, "Look! The wasp has landed on the thief's hat. It is going to sting2!"
The crowd burst into an uproar3. Everybody turned to look for the thief. But soon the noise died down. All eyes were fixed4 on a man who was trying hard to drive the "Wasp" off his hat.
"Now we know who stole the money," Washington said with a smile.
华盛顿是美国的第一任总统，他在12岁时就十分聪明。
Napoleon Bonaparte was born on August 15, 1769 in Ajaccio on the Mediterranean island of Corsica.He is both a historical figure and a legend.
Napoleon decided on a military career when he was a child, winning a scholarship to a French military academy.
Napoleon was one of the greatest military commanders in history. He has also been portrayed as a power hungry conqueror. In the states he created, Napoleon granted constitutions, introduced law codes, abolished feudalism, created efficient governments and fostered education, science, literature and the arts.
Emperor Napoleon proved to be an excellent civil administrator. The most famous of the codes, the Code Napoleon or Code Civil, still forms the basis of French civil law.
Napoleon's own opinion of his career is best stated in the following quotation:
上google里面搜索Edward Hopper
维基百科（Wikipedia）里就有介绍
或
"Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who made solitude and introspection important themes in his painting.
"He was born in the small Hudson River town of Nyack, New York State, on 22 July 1882. His family were solidly middle-class: his father owned a dry goods store where the young Hopper sometimes worked after school. By 1899 he had already decided to become an artist, but his parents persuaded him to begin by studying commercial illustration because this seemed to offer a more secure future. He first attended the New York School of Illustrating (more obscure than its title suggests), then in 1900 transferred to the New York School of Art. Here the leading figure and chief instructor was William Merritt Chase (1849-1916), an elegant imitator of Sargent. He also worked under Robert Henri (1869-1929), one of the fathers of American Realism - a man whom he later described as 'the most influential teacher I had', adding 'men didn't get much from Chase; there were mostly women in the class.' Hopper was a slow developer - he remained at the School of Art for seven years, latterly undertaking some teaching work himself. However, like the majority of the young American artists of the time, he longed to study in France. With his parents' help he finally left for Paris in October 1906. This was an exciting moment in the history of the Modern movement, but Hopper was to claim that its effect on him was minimal:
Whom did I meet? Nobody. I'd heard of Gertrude Stein, but I don't remember having heard of Picasso at all. I used to go to the cafés at night and sit and watch. I went to the theatre a little. Paris had no great or immediate impact on me.
"In addition to spending some months in Paris, he visited London, Amsterdam, Berlin and Brussels. The picture that seems to have impressed him most was Rembrandt's The Night Watch (in the Rijksmuseum, Amsterdam). Hopper was able to repeat his trip to Europe in 1909 and 1910. On the second occasion he visited Spain as well as France. After this, though he was to remain a restless traveller, he never set foot in Europe again. Yet its influence was to remain with him for a long time: he was well read in French literature, and could quote Verlaine in the original, as his future wife discovered (he was surprised when she finished the quotation for him). He said later: '[America] seemed awfully crude and raw when I got back. It took me ten years to get over Europe.' For some time his painting was full of reminiscences of what he had seen abroad. This tendency culminates in Soir Bleu of 1914, a recollection of the Mi-Caréme carnival in Paris, and one of the largest pictures Hopper ever painted. It failed to attract any attention when he showed it in a mixed exhibition in the following year, and it was this failure which threw him back to working on the American subjects with which his reputation is now associated. In 1913 Hopper made his first sale - a picture exhibited at the Armory Show in New York which brought together American artists and all the leading European modernists. In 1920 he had his first solo exhibition, at the Whitney Studio Club, but on this occasion none of the paintings sold. He was already thirty-seven and beginning to doubt if he would achieve any success as an artist - he was still forced to earn a living as a commercial illustrator. One way round this dilemma was to make prints, for which at that time there was a rising new market. These sold more readily than his paintings, and Hopper then moved to making watercolours, which sold more readily still.
"Hopper had settled in Greenwich Village, which was to be his base for the rest of his life, and in 1923 he renewed his friendship with a neighbour, Jo Nivison, whom he had known when they were fellow students under Chase and Henri. She was now forty; Hopper was forty-two. In the following year they married. Their long and complex relationship was to be the most important of the artist's life. Fiercely loyal to her husband, Jo felt in many respects oppressed by him. In particular, she felt that he did nothing to encourage her own development as a painter, but on the contrary did everything to frustrate it. 'Ed,' she confided to her diary, 'is the very centre of my universe... If I'm on the point of being very happy, he sees to it that I'm not.' The couple often quarrelled fiercely (an early subject of contention was Jo's devotion to her cat Arthur, whom Hopper regarded as a rival for her attention). Sometimes their rows exploded into physical violence, and on one occasion, just before a trip to Mexico, Jo bit Hopper's hand to the bone. On the other hand, her presence was essential to his work, sometimes literally so, since she now modelled for all the female figures in his paintings, and was adept at enacting the various roles he required.
"From the time of his marriage, Hopper's professional fortunes changed. His second solo show, at the Rehn Gallery in New York in 1924, was a sell-out. The following year, he painted what is now generally acknowledged to be his first fully mature picture, The House by the Railroad. With its deliberate, disciplined spareness, this is typical of what he was to create thereafter. His paintings combine apparently incompatible qualities. Modern in their bleakness and simplicity, they are also full of nostalgia for the puritan virtues of the American past - the kind of quirky nineteenth-century architecture Hopper liked to paint, for instance, could not have been more out of fashion than it was in the mid-192OS, when he first began to look at it seriously. Though his compositions are supposedly realist they also make frequent use of covert symbolism. Hopper's paintings have, in this respect, been rather aptly compared to the realist plays of Ibsen, a writer whom he admired.
"One of the themes of The House by the Railroad is the loneliness of travel, and the Hoppers now began to travel widely within the United States, as well as going on trips to Mexico. Their mobility was made possible by the fact that they were now sufficiently prosperous to buy a car. This became another subject of contention between the artist and his wife, since Hopper, not a good driver himself, resisted Jo's wish to learn to drive too. She did not acquire a driving licence until 1936, and even then her husband was extremely reluctant to allow her control of their automobile.
"By this time Hopper, whose career, once it took off, was surprisingly little affected by the Depression, had become extremely well known. In 1929, he was included in the Museum of Modern Art's second exhibition, Paintings by Nineteen Living Americans, and in 1930 The House by the Railroad entered the museum's permanent collection, as a gift from the millionaire collector Stephen Clark. In the same year, the Whitney Museum bought Hopper's Early Sunday Morning, its most expensive purchase up to that time. In 1933 Hopper was given a retrospective exhibition at the Museum of Modern Art. This was followed, in 1950, by a fuller retrospective show at the Whitney.
"Hopper became a pictorial poet who recorded the starkness and vastness of America. Sometimes he expressed aspects of this in traditional guise, as, for example, in his pictures of lighthouses and harsh New England landscapes; sometimes New York was his context, with eloquent cityscapes, often showing deserted streets at night. Some paintings, such as his celebrated image of a gas-station, Gas (1940), even have elements which anticipate Pop Art. Hopper once said: 'To me the most important thing is the sense of going on. You know how beautiful things are when you're travelling.'
"He painted hotels, motels, trains and highways, and also liked to paint the public and semi-public places where people gathered: restaurants, theatres, cinemas and offices. But even in these paintings he stressed the theme of loneliness - his theatres are often semideserted, with a few patrons waiting for the curtain to go up or the performers isolated in the fierce light of the stage. Hopper was a frequent movie-goer, and there is often a cinematic quality in his work. As the years went on, however, he found suitable subjects increasingly difficult to discover, and often felt blocked and unable to paint. His contemporary the painter Charles Burchfield wrote: 'With Hopper the whole fabric of his art seems to be interwoven with his personal character and manner of living.' When the link between the outer world he observed and the inner world of feeling and fantasy broke, Hopper found he was unable to create.
"In particular, the rise of Abstract Expressionism left him marooned artistically, for he disapproved of many aspects of the new art. He died in 1967, isolated if not forgotten, and Jo Hopper died ten months later. His true importance has only been fully realized in the years since his death."
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